Category ‘news’

February 2013 – A Thank You Post

Posted in news on Tuesday, March 5th, 2013

Rather than a self-celebratory post, this wants to be a thank you one. To other blogs/online magazines/peers that have recently taken an interest in what I do with Rewardrobe, and featured it. So a huge THANK YOU to Local Wisdom, The Frugal Challenge at EcoAge, Greenpeace and Eco Fashion Friday.

In December 2012 Local Wisdom had a London photo shoot and I was so happy to take part and share my experience. I wasn’t there in my professional role, nor am I featured as such. There was an open call for the shoot and I attended as simply as a clothes user – but I’m so chuffed to have contributed that I’ll still share here and say thanks for the opportunity! Local Wisdom is a great project of worldwide resonance. Originated in 2009 by Dr Kate Fletcher, Reader in Sustainable Fashion at London College of Fashion, it combines ethnographic research methods with design process. It gathers stories and images from the public of how people use their clothes at community photo shoots. These use practices are then the basis and inspiration for design projects in the UK, USA, Canada, Denmark, Australia and New Zealand which aim to amplify these practices and explore their integration into larger programmes or original business models. Local Wisdom explores satisfying and resourceful practices associated with using clothes. This ‘craft of use’ aims to challenge the dependency of the fashion industry on increasing material throughout and propose solutions through sustained attention to tending and using garments and not just creating them.

I also took The Frugal Challenge at Eco Age – again! I was one of the first to do it when it started in the summer of 2011, but I thought a winter version was needed! You can find details of what I wore here.

I was extremely proud to be featured by Greenpeace in the official page of the Detox Campaign Manifesto, alongside many other names of fashion, and sustainable fashion in particular, all of whom I admire and feel honoured to call my peers.

In February I also got to work with the newly launched Eco Fashion Friday project. Eco Fashion Friday was created at communications&sustainability consultancy Salterbaxter, and one of their first actions was to ask their own employees to design a Slow t-shirt or handbag – and I was asked to be in the judging panel! It was great fun, and some of the designs were so good I hope they actually go into production fast!

LFW AW13 Special // Picks from the exhibitions

Posted in fashion, news on Thursday, February 28th, 2013

As you have read in all previous posts of this LFW AW13 Special, I attended all events where Slow fashion brands were involved. But I didn’t stop there. I also visited the Somerset House and Fashion Scout exhibitions at large, to have a complete overview of what the trends will be for the season, and also to find out about other brands that weren’t already on my list.

I did find a few very interesting ones. A couple of them (Blake LDN and Hellen Van Rees) do highlight their sustainability efforts. The other two (Negarin and Christopher Waller) don’t, but then proudly tell me of how they source their fabrics from the UK and Italy, and how all production is made in Britain.

While Hellen Van Rees has a more artistic and colourful approach, what I really appreciated about Blake LDN, Negarin and Christopher Waller were the simplicity, the clean lines, the graphic cuts and immaculate shapes. All perfect for a number of occasions, to be worn for work or events. That is, all I look for in a brand that I’d like to put in front of a client – and my clients are very often working women in search of quality and flattering pieces, that above all need to be versatile.

Negarin

The collection takes inspiration from the underground, anti-conformist 50s/60s vibe; silhouettes are slim and art house-y. As with all Negarin’s collections colours are vibrant and uplifting, with innocent neutrals meeting dynamic jewel-like tones to create a colour mood that works from day through night and takes the Negarin woman from one time zone to another. Negarin’s tailored pieces combine with fluid ones to meet the needs of every working woman’s wardrobe, with the interesting detail of a clever reversible twist. A trained artist and sculptor, Negarin Sadr weaves the story of her art into the medium of clothing, working with shapes. All garments are produced in the UK and fabrics are sourced in Europe.

Blake LDN

Heralding from London’s Central St Martins, Alice Ashby has previously worked as assistant knitwear designer at Rag & Bone in New York and co-founded luxury knitwear label The North Circular. She launched Blake LDN in Sept 2012. Blake LDN’s mission is to create contemporary knitwear that offers a more conscious alternative within the luxury market, with a focus on sound sourcing and manufacturing. AW13 was inspired by vintage ski images, adapting and creating a modern day take on the traditional chunky ski-knit, like new styles of bomber jackets, oversized boyfriend sweaters and chunky ribbed polo necks. Clashing hues of rich gold and bright neon framed with deep navys and army greens achieve a modern take on an everyday essential. Combining Merino wool, angora and Loro Piana cashmere this A/W collection is rich in texture, colour and pattern.

Christopher Waller

Founded in 2010, the Christopher Waller label aims to provide sophisticated urban women with luxurious staples that can easily make the transition from day to evening wear. Colour blocking and fabric blocking form the backbone of the Christopher Waller aesthetic. Fluid crepes are blended with suede, leather, heavy wool jersey and mohair to create statement pieces. Muted shades of red and teal are carried through into the digitally printed silks, contrasting with the heavier wool and leather. Christopher Waller is based in Peckham, south east London and draws inspiration for his collections from the architecture and surroundings of his home city. The collections are all manufactured in London with fabrics coming primarily from the UK and Italy.

Hellen Van Rees

A/W’13 SQUARE3 Angle: The Tranformation is Hellen van Rees’s second independent collection. It sees her continue the ideas born in her graduate collection: the same handmade tweed fabrics created using factory remnants and recycled threads, with the same three-dimensional threaded blocks creating a playful and futuristic silhouette. But this season is an exploration into what happens when yarns of all colours are combined in one textile. Hellen also uses new materials this season – a pitch black and bright white rubber-coating to create a stark contrast with the vibrant multicolour handmade tweeds. Combined with silhouettes inspired by classic Chanel skirt suits and contemporary art installations, the result is a visually strong but surprisingly wearable collection. Hellen van Rees is a Dutch fashion and textile designer who graduated from the prestigious MA Fashion at Central Saint Martins in London in February 2012. After graduating she moved to the Netherlands to start her own label. Her first collection was named “One to Watch” by Fashion Scout, where she returned to show this season.

LFW AW13 // Off Schedule // Choolips

Posted in fashion, news on Wednesday, February 27th, 2013

Choolips‘s AW collection is a true LFW Off Schedule affair: in that it wasn’t presented at LFW! Annegret Affolderbach, the designer behind the label, is truly independent even when it comes to her presentations. But since I’m covering the latest AW13 collections at the moment, I just had to give some space to this feel-good and do-good brand, whose prints just give me a buzz of energy.

Annegret describes ‘The sky was made of amethyst’ as “Stained glass windows swimming in watercolour seas, set against burning amethyst skies, whilst the promise of spring meadows teases with the hope of fresh beginnings.” So, how do you translate that into a print? “Our AW13 pushes the boundaries of traditional handprinted batik techniques local to Ghana/West Africa by combining our own ‘painting’ techniques with traditional batik stamping processes.”

All Choolips’s’ prints are handprinted by Ghanaian batikers. Inspired by people, their lives and entrepreneurial small businesses in developing economies, Annegret’s passion for textiles took her to West Africa with the intent to revamp traditional techniques and help sustain the artisans and entrepreneurs behind them. Choolips aims to create ‘New Heritage’ by harmonising the mindset of producers and consumers, by trading fairly and by producing locally with small water & carbon footprints.

Also, all accessories are hand-finished by seamstresses in Ghana, while the garments are tailored by social enterprise SOKO in Kenya. The fabrics are African cotton, and all prints are azo- and formaldehyde-free

Choolips counts legendary Opening Ceremony, Steven Alan & Asos.com amongst its stockists. So, while you wait for ‘The sky was made of amethyst’ to land in September, you can always feast your eyes on (and acquire!) the summer prints of their Golden Coast collection, or their trans-seasonal scarves.

LFW AW13 // Off Schedule // Ecoluxe

Posted in fashion, news on Tuesday, February 26th, 2013

This season I attended Ecoluxe with the precise intent to meet an upcycling designer I’d been following for a while: Lisbeth Løvbak Berg. I was looking forward to see her multifunctional pieces, hand made in France from pre-consumer waste, and combined with eco materials such as Norwegian Wool. Lisbeth graduated from Oslo University College with a degree in fashion in 2010. She has trained with Hemyca and Phillipa Lepley Couture in London, as well as in the French confection business. She launched her first colleciton “Decay in Beauty in London autumn 2010 and from this has grown the brand L-L-B.

I also really liked the new raincoats by Supported By Rain, upcycled from lost or broken umbrellas. Interesting how they’ve played with different logos to emphasise the material’s origin and add texture to the pattern.

I was happy to finally meet Maria, the founder of Etrala London, a brand I’ve been following for a while. The fabrics were great, like the British wool tweed for the dresses. Perfect for work, but with each with a quirky detail, such as the fun colourful lining. I like their Slow concept of only producing as per demand to reduce surplus stock and wastage.

I had seen Bailey Tomlin‘s light and ethereal millinery at Ecoluxe before, but this season I was mostly attracted by her accessories, which she produces out of materials left over from the hats production. (I do suggest you have a look at her website for truly beautiful pictures of the pieces!)

Elena Garcia collection predictably was made with the best fabrics at the event – Elena uses organic silk and hand-dye techniques. I liked their luxurious feel, paired with the loose shapes and the tie-dye effects.

The new discovery this season was Danica Cosic, an American designer who moved to Marrackech and discovered the art of maroquinerie. She collaborated with local artisans with “the goal to provide a beautiful and unique fashion accessory, but also to support the local artisan businesses and provide a new platform for them to showcase their talents.  The female artisans are able to work from home, in an effort to provide additional income, while simultaneously continuing to care for their families.”

Event spotlight: British Library’s Spring Festival

Posted in news on Monday, February 25th, 2013

If you’re looking for an interesting cultural event to attend next weekend, I might just have the right suggestion for you. I just found out about the Spring Festival at the British Library: “a celebration of film, fashion and design”.

I go to the British Library regularly, but I have to admit the events I tend to associate them with are the (excellent) talks organised by their Business & IP Centre. So it is with great interest that I read about the Spring Festival, and I wanted to pass this info on to you.

The thing is, the British Library’s collections are very varied: not ‘just’ books and journals, but anything from prints, drawings, photographs, sound recordings and fashion magazine archives. A real resource for anyone interested in the creative fields, and this year’s Spring Festival aims at sharing this knowledge and encouraging people to consider the Library when they are looking for inspiration and information in these areas.

The Spring Festival runs March 1-5, with a Fashion Flashback LATE on Friday evening. This LATE is curated by students of Central Saint Martins fashion department, and inspired by the British Library’s treasure trove of design resources. To the sounds of legendary DJ Princess Julia and Jeffrey Hinton, the night will feature fashion shows with a twist, demonstrations by collectors, inspiring workshops, costume drawing, pop-up stalls and talks by GQ editor-in-chief Dylan Jones, fashion illustrator Tanya Ling, fashion academic Iain R Webb and writer Camilla Morton. You can also get a make-over with leading make-up brand Chantecaille, style yourself in the photo booth, and have your portrait drawn by a CSM fashion illustrator.

Another date not to be missed is Monday, 4th March, when you’ll have the chance to meet iconic fashion illustrator Julie Verhoeven. Not only she created a new piece of artwork especially for Spring Festival, but she will also talk about how she came up with the piece and about her career to date.

While you’re there, pop to the Market to buy the products of designers/makers who have been inspired by the Library’s collections, from zines to photographs, and commercialised their products with the help of the Business & IP Centre.

LFW AW13 Special // Estethica, the accessories

Posted in fashion, news on Friday, February 22nd, 2013

I often question myself whether I’m more passionate about accessories than I am about clothes. And the answer is probably yes. I don’t wear precious jewellery but I like custom pieces, the bolder the better. I fall in love with a necklace a day and I sometimes (well, regularly) plan my outfit around which necklace and shoes I feel like wearing that day. Shoes and bags, I’m prepared to spend good money on, and see them last for years and years. I don’t wear hats much, but I still managed to be wowed by the millinery prowess I saw…

But let me show you (still in perfectly random order):

VEJA

Well, the fact that I’m starting from Veja is not so random after all. Indeed, they were at Estethica as Special Guest (a tradition started last season with Honest by.). Also, they were the only brand presenting a shoes collection (and if you recall how much I love brogues then you’ll know what I was immediately drawn to). So who are Veja? “Organic cotton, wild rubber, vegetable tanned leather, Veja tries to change world trade rules” – all explained in a few simple words. Since 2004, Veja has created trainers, bags and accessories which combine principles of economic, social and environmental development, working with a cooperative of 30 families of little producers, based in the North of Brazil. The brand’s main collection is trainers, but they also have Projet Numéro Deux, a range of bags and accessories made of ecological materials. All Veja leather goods are tanned with acacia extracts, a natural and non-polluting tannin.

In keeping with their Brazil relations, Veja have just collaborated with Dr Greg Asner, a research professor at Stanford University. Flying over the Amazon on a small plane, he detects carbon emanations from the ground and creates aerial cartographies of the Amazonian forest to track changes in forest cover and biodiversity over time. The thing is, these maps are beautifully colourful, and they have been the inspiration for a limited edition of trainers.

Bottletop

There was a bit of a Brazilian connection at Estethica this season. Just like Veja, Bottletop also manufacture there. If for Veja the strong link is with the country’s natural resources (like the natural Amazonian rubber), Bottletop were inspired by a local popular form of recycling, and they’ve turned it into a fashion product, that is lovingly crafted in Salvador de Bahia and supports artisans and their families. The AW13 collection consists of three distinct lines: the Leather, Silver and Enamel Line. My absolute favourite was the enamel, both in the petrol blue gloss, and in the black matte.

Rudá rings

If Veja and Bottletop are European brands that have understood the enormous potential of Brazil, Janice Perez hails directly from Belo Horizonte. Her contemporary jewellery is made of Brazilian hardwood, sourced from old furniture and demolished houses, and raw stones such as hematite, pyrite, vanadinite, uvite and lapislazuli. After decades as a designer for Brazilian shoes brands, Janice decided to set up her own fashion business. She was looking for something aesthetically original which, as a first rule, should be organic and environmental friendly. To package the rings Janice recycles coffee’s sisal bags. The ring is placed inside a loofah’s case made from loofah (vegetable bush) to protect it throughout the transport and delivery. Inside the package there is also one small carnauba wax can, in order to encourage the customer to care about the ring and make it to last longer preserving it beauty.

The North Circular

TNC returns to Estethica after a few seasons, at a time when the attention to Made In Britain labels is really strong, with their accessories made from British wool, including cashmere, alpaca and rare breed Wensleydale. All items are hand knitted, loomed and weaved in the UK to help regenerate the ailing wool industry and support local manufacturers and craftsmen. The new AW collection is called Tribes and plays with patterns, cut and function to denote heraldry across British taste, from Medieval armour to hipster dip-dye to the English Gentleman’s style.Scaled up hounds tooth, checker and herringbone are mixed together in graphic panels on hats, gloves and scarves in contrasting monochrome and red and black to a bold effect. More architectural pieces come in the structured fisherman’s collars, snoods, lapel scarves and shrugs with corresponding hats and gloves, all knitted in cables of varying size and tension.

Lost Property Of London

Another welcome returnee! Lost Property of London is an independent accessories brand handcrafted here in London, incorporating second-hand fabrics by transforming them into beautiful yet practical totes and travel bags. Each season, the collection will employ a new theme or textile, with the A/W13 collection featuring some of the UK’s finest. Courtesy of Britain’s top yacht clubs, each bag has been made from faded tarpaulins and weathered sails, complemented with leather. Katy Bell, the brand’s founder, told me that Lost Property of London has been asked to produce a limited collection using Liberty’s art fabrics. Can’t wait to see those, too!

Mich Dulce

Mich’s headpieces are whimsical, quirky and feminine all in one. That’s quite something already, until you find out how she produces such beauties, and then you don’t just love the pieces but admire the business, too. Mich Dulce works with T’nalak, a traditional Filipino fabric made of hand-woven banana fibers, each piece handmade by women members of a poverty alleviation community, to which Mich gives personal skills training. Out of this, she produces a collection which is bang on trend with her graphic monochrome and red and yellow accents. Ethical fashion needs to be edgy and stylish to compete for buyers’ and customers’ attention, to drive sales and ultimately trade for the people who produce it. Mich achieves this 100%.

Pachacuti

“Our 21st Birthday collection has been inspired by four diverse themes, Supernova, Spiced Jazz, Peacock Revolution and Proper Country. ‘Supernova’ is a modern collection of fresh shapes
and cool colours, bringing a new look to winter in the city, reinterpreting utilitarian headwear such as aviator hats, moped helmets and riding hats. ‘Spiced Jazz’ matches rich, warm colours with neat,
stingy-brims and sharp details. The ‘Peacock Revolution’ combines the dapper with the opulent. Deep, rich jewel colours are combined with amboyant feathers, hand-woven Fair Trade Ecuadorian ribbons and Devon silk ribbons in a nod to the dandies of the past. ’Proper Country’ provides perfect hats for prowling both countryside and city. This is a luxurious mix of earthy colours, natural feather trims and horsehair bands. It goes without saying that all of our AW13 adheres to the highest standards of Fair Trade and Sustainability. Pachacuti has been a pioneer in ethical fashion since 1992 and continues to push the standards higher. For 2013 we are excited to be piloting the new WFTO Fair Trade Guarantee System, alongside People Tree in the UK and seven other Fair Trade organisations around the world, with the new label expected to be launched this Summer.”

 Phannatiq & Ada Zanditon

Wait, I hear you say, didn’t you already covered these two collections in your previous post on womenswear? Well, yes I did, but did you really think I would miss these two boards of super cool accessories? Ada Zanditon has been collaborating with Luca Romanyi for a few season now – but while the previous collections were based on wood, this one is all about mirror reflections and metal. Talking of reflections, Phannatiq picks on the fluo colour of the hi-vis uniforms she’s been inspired by for her jackets, and transfers them onto light and geometric perspex. Want, want, want!

LFW AW13 Special // Estethica, the womenswear brands

Posted in fashion, news on Thursday, February 21st, 2013

The best edition of Estethica so far? This seems to be the shared opinion. Certainly it felt fresh and energetic, with brands that have been pillars of the exhibition for seasons, others that have decided to come back after a hiatus, and some very young blood pumping energy and vision into this corner of Somerset House – all with truly great collections.

As usual, I spoke to all designers, and each of them was positively impressed with the turnout of journalists and buyers, with orders having been placed since the very first day of the exhibition.

This season, the selection included 14 brands, very evenly divided into 7 womenswear and 7 accessories labels – or at least that’s how I’ve grouped them, just because I didn’t want to put together a super-mammoth report… So in perfectly random order, I’ll start from the beautiful frocks & co.:

Beautiful Soul

Beautiful Soul London is a quintessentially British, luxury label. The AW13/14 collection is called  ‘I ♥ Ladybirds’ and is, as usual, inspired by romantic images of nature mixed with memories of an Emglish childhood. It is a journey through an English country garden, reflected in the unique statement print featuring bouquets of hydrangeas, with dainty ladybirds nestled on the flower.
The collection range includes a selection of stunning day-to-evening dresses, playsuits and separates, alongside a classic trench coat and shift dresses made of Nottingham lace. [The collection was presented with a short film, that you can watch here]

Liora Lassalle

Liora is the new protégée of upcycling visionary Orsola De Castro – having won the Estethica/Veolia Re-source competition with Central Saint Martins and being offered the opportunity to be mentored as part of Reclaim To Wear as well as by Willie Walters of CSM and Anna Orsini of the British Fashion Council. The original mix of reclaimed reflective workwear, delicate lace and denim is a new interesting mix in the upcycling panorama, and has already earned Liora a stockist in Yoox, with its dedicated sustainable fashion platform Yooxygen. [The collection was presented with a short film, that you can watch here]

Phannatiq

Phannatiq is a crossover brand, masterfully mixing ethereal fabrics with industrial prints, and luxury with an urban feel. Further drawing on their love affair with the vistas of London’s urban decay, AW13 collection Refraction takes inspiration from the hi-vis, low profile people who hold our cities together. Organic, unbleached bamboo, silk and cotton and Harris Tweed form the basis of the collection with the elegant addition of panels and trims using fig tree bark, recycled leather and locally felted Cotswold wool. For this collection, all textiles are produced using only natural plant dyes, and the majority of chemical waste have been eliminated from the textile manufacturing process. Also, Anna Skodbo, the designer, proudly explained to me how all fabrics have been dyed so that they can be machine washed and won’t need dry cleaning – something that gets a major thumbs up from Rewardrobe! [The collection was presented with a short film, that you can watch here]

Goodone

Goodone have been regulars to Estethica for many a season, and I was very happy to see them back after a couple of seasons’ hiatus. During which they haven’t been idle! But setting up a bigger production facility so that they can manufacture for other brands too. Nin Castle, co-founder of the brand, explained to me that she wants to produce bigger volumes, so that they can really make a difference, really save substantial amounts of textile waste. The AW13 collection fits perfectly with two major trends. One is about the reneissance of British wool, that they celebrate by using a lot of Aran patterns (which are originally from Ireland really, but you get my drift…), the other one is the monochrome geometrics that have been prominent in most catwalk shows. Personally, j’adore!

Henrietta Ludgate

Henrietta manages to once again translate her ‘retro-futurism’ style into a new declination – this time inspired by nature. The shapes are like cocoons, the armour created by insects as they face the cold winter, while Henrietta told me the colour palette was drawn from the different shades of ice. But then again, the curvaceous, geometric shapes and the shimmer in the fabrics are glass- and steel-like, and the ‘wings’ and collars come straight from a ‘Jane Jetson’ costume. Once again, Henrietta has remained true to her design house’s eco ethos, using upcycled fabrics sourced from within the British Isles. Super soft cashmere, wool crepe and machine washable jerseys play heavily throughout, giving the collection a distinctive high end look.

Ada Zanditon

Ada’s AW13 collection is a natural evolution of SS13, Tigress Reign. March Of The Tigress “portrays a subversion of the Anna Karenina narrative if Anna had left all the men in her life and gone on a quest to become the protector of Tigresses and create a corridor for their safe passage. She is a warrior, a traveller, and a creative force, the eternal feminine power”. Silhouettes are bold in typical Zanditon style, featuring sculptural coats and jackets, flattering dresses and bright and bold prints. The fabrics used are bamboo silk and organic cotton, which is a breakthrough for the brand, now able to achieve high quality, bright digital print on cotton. Adhering to the principles of Wear+Care , the collection features high-end party dresses that are machine washable. So many steps forward! [The collection was presented with a short film, that you can watch here]

Katrien Van Hecke

Katrien Van Hecke is an emerging womenwear designer based in Antwerp, Belgium. Her fashion stands for modern artisanal luxury with a strong focus on silk and hand-dyed dresses. Katrien always starts from raw white materials, that she uses as a canvas to find structures and prints. ”Every garment can be seen as an individual object. This results in imperfections and variations, which I consider to be distinctive characteristics”, says Katrien. The colours come from herbs and spices that are fixed with harmless chemicals into the fiber of the fabric, and overlaid with prints that are based on airbrush and salt reactions. The selection for AW13 is Saint-John’s wort, clove, eucalyptus, alma, curry. I also really liked the monochrome jacquard coat, made of  yarn recycled from old wollen garments. [The collection was presented with a short film, that you can watch here]

LFW AW13 Special // Estethica in close-up detail

Posted in fashion, news on Tuesday, February 19th, 2013

A teaser. A close up view of Estethica, before you get the full report (and pictures) tomorrow.

Bottletop

VEJA

Henrietta Ludgate

Liora Lassalle

Rudá rings

Katrien Van Hecke

Beautiful Soul

Mich Dulce

Goodone

Lost Property of London

The North Circular

Phannatiq

Pachacuti

Ada Zanditon

Fashion+Digital // LFW AW13: off-schedule films

Posted in fashion, news on Tuesday, February 19th, 2013

After spending quite some time in Estethica on Saturday (including its rich Digital schedule), I spent yesterday hopping to a few off-schedule events.

And surely enough, I bumped into more short films. In preparation for the reports with pictures, I leave you with ethical couturière Lucy Tammam, who hosted an intimate Atelier presentation, and young designer Christopher Waller, who produces his entire collection in London.

Fashion+Digital // LFW AW13: Estethica films

Posted in fashion, news on Sunday, February 17th, 2013

A few days ago, in anticipation for LFW, I shared my interest of fashion+digital cross-pollination, and how I saw some successful examples of this at last season’s shows.

London Fashion Week has its own Canon Cinema, and a Digital Schedule that now boasts numerous daily listings. The Estethica line-up was shown yesterday, and I thought it was quite apt as the opening subject for my AW13 reports, since it’s with short movies that I wrapped up my account of SS13.

To begin with, just like with my initial post of this short series, I’ll introduce the films by favourite designers Ada Zanditon and Beautiful Soul. Last year, they had their digital presentation with Felicities PR. This season, they are both exhibiting as part of Estethica (with Beautiful Soul also part of Felicities Presents once again).

The youngest addition to Estethica is Liora Lassalle, who presents an upcycled collection produced with the mentoring of Orsola De Castro herself. I think the short film is fresh and original:

Katrien Van Hecke is also a young and extremely talented newcomer to the Estethica set, and she came armed with wonderful prints, and these moving images:

Katharine Harrison wasn’t showing her collection at Estethica, but her  film invites the viewer on an intimate journey throughout the creative process that was behind it. A process firmly rooted in Harrison’s formal training in design, Savile Row craftsmanship and historical dressmaking. Fusing these elements, Katharine Harrison’s commitment to traditional techniques and hand finishing mean that each piece in the collection has a story and experience of its own. Set partly in the designer’s studio and partly on location in a family holiday home in Dorset, the film reveals elements of the process of making the clothes, alongside the dreamy interior of the 1810 cottage that inspired the collection.

Two more films added to the schedule were from 2012 – but obviously so well shot they they were worth re-showing. One is Exclusion by Phannatiq, the other one ‘Action’ by Lily Silverton, from London College of Fashion’s MA Fashion and the Environment.

Finally, a great addition with Valeria Golino starring in Greenpeace’s film for the newest campaign, The Fashion Duel. To which you can contribute, too